Philip Hartman
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Philip Hartman, is a bass baritone from Malmö. Philip has sung 2e Geharnische Mann in Die Zauberflöte Opera at Skäret in 2019, Sciarrone/Fångvaktaren in Tosca at Skånska Opera in 2023 and the lead role Oscar in the newly written White Bridge by Josef Zetterberg Pihl at Höör's summer opera in 2024.
Philip was attending the Opera Pro development program under Anna Larsson 2024 – 2025, is educated at the Master's program in classical singing at the Academy of Music in Malmö and the Vadstena Singing and Piano Academy.
The main role as Olof Palme in the newly written opera Konstruktionen by Jonatan Sersam, May 2023. Parts of Colline and Scarpia in "An evening with Puccini" directed by Philip Mønsted-Madsen Briggs in 2021, baritone soloist in Ronöm Cyklus, a newly written work by Jacob Thonander Glans at Nordic Song Festival August 2021, one of three main roles in Taja and Anna Asta's chamber opera Parainphernalia May 2021 as well as Marco in Cileas l'Arlesiana with the Opera bands in 2020. Summer 2025 he sang Peer in Gynt with Höör opera.
Philip is a frequently engaged oratorio soloist and has sung bass solo in basically all church works. Recently productions is as Frank in Die Fledermaus at Vattnäs Concert Barn. In season 2026-27 he participate in a talent program at Folkoperan and sing roles in Tosca, Nietsche vs Wagner, Jag är Ulla and in Sommarnattens leende.
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Video
"Mein Sehnen, mein Wähnen" from Die Tote Stadt
Philip Hartman sings "Mein Sehnen, mein Wähnen"(Pierrots Tanzlied) from Korngolds Die Tote Stadt. Pianist: Ludvig Nilsson
Philip Hartman, G Rossini, Sois immobile from Guillaume Tell by.
Philip Hartman, G Rossini, Sois immobile from Guillaume Tell by. Piano Darya Tchaikovsky.
"O Du mein holden Abendstern" from Tannhäuser
Philip Hartman sings Wolframs "O Du mein holder Abendstern" from Wagners Tannhäuser with Norrköping symphony orchestra.
"Ja det har varit glada dagar" from Tintomara
Philip Hartman sings "Ja det har varit glada dagar" from J. Werles opera Tintomara. Pianist: Darya Tchaikovsky.









